Licensing is a key business strategy. It's a way to maximize
the earnings from what you've created. The following is excerpted
from my soon to be published book about how to protect and
profit from intellectual property.
Question: What is licensing?
Licensing is when you grant some rights to IP that you own.
It is really a partnership of mutual cooperation between the
licensor, who owns the IP, and the licensee, who is given the
right to use it for certain purposes.
Question: What are royalties?
Royalties are a way of calculating compensation for use of
intellectual property. The licensee is granted the right to
use it for a royalty. Royalties are usually based on a percentage
of the revenues that are generated. For instance, if I license
my course to a company and say, “For every subsequent
use of this course, I get 5% of the revenue,” that’s
the royalty — 5% of the revenue would be the royalty/payment
that I would receive.
Question: Are there rules of thumb for royalty amounts?
Figuring out what royalty to ask for is always a challenge.
As sort of a really rough rule of thumb, the allocation of
the revenue generated can be 25% for the licensor and 75% for
the licensee. This is because the licensee is usually doing
all the sales and marketing related to generating revenue.
It varies greatly from industry to industry.
Question: What are some examples of the types of works that
can be licensed?
Many types of IP can be licensed. For example, copyright-protected
works, trademarks, and patented inventions can be licensed.
Materials and know-how may be licensed and generate additional
income. Other examples include images, photographs, music,
a recording – on any kind of media.
It’s very difficult to license something that has not
been reduced to writing or some kind of tangible form. Just
trying to license “know-how,” for instance, is
very difficult. Someone could have a lot of expertise, but
unless they turn it into something concrete or tangible, it’s
difficult to license it.
Question: What are the pitfalls of licensing?
A classic pitfall is that the licensee does not pay royalties.
The licensor gives rights to a licensee and the licensee doesn’t
do anything with them. So the licensor’s IP rights are
tied up in the license agreement, but the licensor isn’t
getting any money for the IP. I recommend that a licensee be
required to pay at least a “minimum” royalty or
forfeit the license. That way, the licensor is guaranteed a
certain level of revenue. That’s also motivating for
licensees because they’re going to have to pay that money
in order to keep the license, so they’re going to focus
on using your IP.
Another pitfall is granting an exclusive license, or giving
away way too many rights. The scope of the license grant is
extremely important. For example, one situation that I’m
familiar with involved a patent for a chemical process. It
was licensed to a very large pharmaceutical company. But in
that license, we were very careful to limit it to medical applications.
We turned around two years later and licensed that same patent
to a paint company. Had we granted all the rights in the first
license, we wouldn’t have been able to do the second
licensing agreement, which was a very different market and
a very different application.
Question: What if I want to use someone else’s work?
Using someone else’s work is sometimes called “licensing
in.” That’s a very good business strategy as well.
Why recreate the wheel if you can use materials that are out
there or content that’s already been created? Usually,
what I suggest is that you approach the owner of the IP and
say, “I’d like permission to use some of your materials,” and
you negotiate an agreement.
It’s OK to use other people’s works (without payment)
if the work is in the public domain or if the use is considered
to be within the “fair use doctrine.” (See eNews
archives for further discussion).
Question: What if someone copies my work?
Registering copyrights is an important step. If an infringement
occurs after the copyright is registered, you can recover statutory
damages per infringement and attorney fees. If an infringement
occurs prior to registration, you can only recover actual damages,
which are extremely difficult to prove.
Question: What is a territory?
Licensors try to specify territories for
authorized use. Say, for instance, you have a way to fix
cars and you were going to deliver a training program and
it required on-site training to show people how to do this
particular type of repair – fix
the paint or fix the dents. That’s a service that would
probably be delivered in person, so it makes sense to carve
that up geographically.
But, if you market on the Internet, it’s really hard
to specify a geographic territory. For example, if you’re
developing an e-learning kind of program and it is going to
be marketed over the Internet, then it’s very difficult
to restrict geographies, just because you could have potential
customers coming from anywhere in the world.
In conclusion, these are just a few of the frequently asked
questions about licensing. Licensing is a great way to generate
revenue from IP. Is licensing a strategy that you want to explore
for your business?
Jean D. Sifleet, Esq., CPA
Business Attorney
120 South Meadow Road
Clinton, MA 01510 USA
t. 978-368-6104
f. 978-368-6105
c.978-618-2162
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Jean Sifleet, business attorney, CPA and three-time entrepreneur, is pleased to announce the release of her new book, Advantage “IP”: Profit from Your Great Ideas. Visit the Smartfast Bookstore for details, and to order the book.